Guitar Player - September 2008 Review

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I have spent years trying to find an amp that I truly enjoy playing through and that brings to life all the distinctive qualities of the guitar I am playing. I have finally found this with the Lone Wolf amp.

Whether I am playing in the studio, club or concert, the Lone Wolf brings out all the best in the guitar and the tone that I have always wanted. It is a fantastic rock and blues amp that responds beautifully to any effect pedals I may use without compromising the sound of the guitar.

For a small wattage amplifier, it can cut through any band situation I may be in. It can scream out the rock licks or whisper the clean blues phrases.

Since I first plugged into the Lone Wolf, I have used this amp exclusively on all my gigs and have always received the "what are you playing through?" inquires from the other musicians and engineers.

Kevin Longden - LA session player, guitarists, vocalist, composer, arranger for sessions and concert performances. Kevin has performed with John Fogerty, Ambrosia, Kim Carnes, Carmine Appice, The Platters, and many more

I've played a lot of great amps over the years. I was close to getting my "sound" but I always felt like I wasn't quite there yet. My Lone Wolf Outlaw Head and 2x12 Cabinet is the missing link found.

The simultaneous dark & bright volume channels give me unlimited control over my tone. I get the warmest, natural overdriven tones and great smooth clean tones at any volume.

I finally found a way to get the sound I heard in my head out into the world. I now use my Lone Wolf on all my sessions & gigs. From jazz to rock to funk and beyond.

Thanks for the great amps Kevin!

Shea Welsh (www.sheawelsh.com) - LA Session player

Kevin, what a great amp! With it's fat tone and great touch sensitivity coupled with an attractive design you've got a winner on your hands.

Mark Goldenberg (www.markgoldenberg.com) - Top LA session player, lead guitarist for Jackson Browne, Lyle Lovett, Bonnie Raitt, Linda Ronstadt, Chris Isaak, Waylon Jennings, Peter Frampton, and many more.

Quite often you hear the word “tone monster” used to describe a particular piece of gear. The Lone Wolf Outlaw is better depicted as a tone demon! Warm overtones and plenty of headroom, it doesn't get much better than that. You've crafted a true American gem.

Bob Smith - True Story (www.truestoryus.com)